![]() But not many people come only in the usual clubbing hours.”īy nightfall, the whole complex is heaving. The third crew are a little bit more sensible: they tend to rock up around 2pm and stay until the end. Then you’ve got your people who are coming in straight from another party: they’ll go until they can’t stand up any more. “Hardcore, hardcore ravers who love this party and come for 24 hours. “There are three types of people at Get Lost,” explains Lazarus. The brave who persist are treated to a selection of tech-house legends such as Danny Tenaglia and Doc Martin, international party pros such as Butch, Soul Clap, and Jonas Rathsman, and Burner favourites such as Atish, Desert Hearts, and Bedouin. ![]() The day progresses, and the Sunshine State heat and humidity begins beating down, sweating out the last drops of inhibition as the party moves into marathon mode. I want to make sure that whenever people take a step in any direction, they’ll have a different experience.” “It’s like an adult playground, somewhere in between Alice in Wonderland and 2001: A Space Odyssey. “It’s all about moving from one portal to another, losing yourself in areas, spaces to explore that we never spell out for people,” explains Lazarus. Photograph: Khris Cowley for Here & NowĪs the morning unfolds, all four of Get Lost’s stages and immersive environments open up one by one, each themed after a lost civilization: Mu, Theia, The Garden of Eden, and Lemuria. The vibe is spooky, seductive, and seedy in equal measure.Ī typical raver at Get Lost, Miami. They pass up rickety stairs and through a thick curtain to find a red-hued, fog-drenched warehouse space where Wizardry – Lazarus’s collaborative project with fellow psychonauts DJ Three and DJ Tennis – commence proceedings with a kaleidoscope of trippy, grooving tracks. Bedazzled wanderers from the Burning Man desert-fabulous set, techno fans in Vantablack, insomniac exiles from Ultra, and the particular cavalcade of ne’er-do-wells that inhabit Miami-Dade’s darkest hours: all emerge through Get Lost’s softly lit, jasmine scented courtyard. As dawn begins to rise, all but the hardiest partiers from Miami Music Week are tucked into bed, but at Lemon City Studios, an industrial complex in Little Haiti, freaks of all varieties are descending. Get Lost is clearly not for the faint of heart. As the party kept growing, I wanted to keep that essence.” It now starts at 5am as an intimate after-hours party, but continues until 5am the following day, morphing into a full-on festival and back into a last-man-standing all-nighter in one continuous session. I set Get Lost Miami up as a way for people to go clubbing first thing in the morning – if they hadn’t already lost their minds, they were about to. But most parties were closing around four or five. “In 2004, when this all began, there were so many parties in Miami, so many people,” he says.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |